Outside the Soup

The exhibition Outside the Soup, initiated by artists Afra Eisma and Hend Samir, emphasizes the potential of art to create new worldviews through radical imagination and artistic experimentation; placing care, solidarity, and trust at the forefront. Rather than building on a conceptual framework as the underpinning for the exhibition, the role of mutual and reciprocal relationships within the artistic ecosystem takes center stage.

Outside the Soup brings together a large and diverse international group of artists who create narrative-based, highly visual works steeped in imagination. The exhibition will be activated through an extensive context- and community program of workshops and guided tours.

With work by Soad Abdelrasoul, Kenneth Aidoo, Dagmar Bosma, Afra Eisma, Esraa Elfeky, Tessa Mars, Marzia Migliora, Hiroki Miura, Rah Naqvi, Karin Iturralde Nurnberg, Hend Samir, Afrah Shafiq, Meenakshi Thirukode, Marnix van Uum and Debbie Young.

Exhibition photography by Pieter Kers.

Handout (pdf)


Colophon

Initiated by Afra Eisma and Hend Samir.

At W139, we work collectively and intersectionally on exhibitions—guided and led by the initiating artists that we invite. This exhibition has been developed by the artistic team, with Tomas Adolfs leading the process, together with André Avelãs, Ana Brichta, Dana Claasen, Levi van Gelder, Dil Ghale, Geer van der Klugt, Margarita Osipian, Ghaith Kween Qoutainy, Claudio Ritfeld and Annette Wolfsberger.

Visual Identity by: Sheona Turnbull

This exhibition is generously supported by: Gieskes-Strijbis Fund, Mondriaan Fund, Amsterdam Fonds voor de Kunst, Fonds21, Iona Foundation, Nieuwe Instituut and Oedipus Brewing.

Our partners: CBK Zuidoost, IMC Weekendschool, Future Institute of Art, Stagehuis Schilderswijk and Kunstinstituut Melly.

A huge thank you to all the artists for making this exhibition possible, to the team of W139 for their love and care in making this show happen, to the amazing designer Sheona for the incredible work in tying this show together, and to Sam Samiee, for bringing us together. With love, Afra and Hend.

The visit of Meenakshi Thirukode is made possible by the International Visitors Programme of the Nieuwe Instituut with support from the Netherlands Ministry of Foreign Affairs. The work period of Esraa Elfeky in Amsterdam is made possible in collaboration with CBK Zuidoost.

W139 hosts… 2022

W139 hosts… marks the start of an energetic and dynamic month at W139. We invite you to experience this special programme from March 1 to April 8, which will include pop-up stores, workshops, meet-ups, but also gatherings, rehearsals, exhibitions, experiments, film screenings, work presentations and much more.

The programme is composed of a careful selection of the many diverse submissions in response to our recent open call. Artists, designers, curators, mediators, collectives, and local initiatives were invited to propose projects and ideas they consider urgent and relevant.

The huge amount of responses to our open call made us decide that we needed to realize as many as possible within the time we can offer. The immense interest in this call has confirmed the urgent need for more production and presentation spaces in Amsterdam. W139 hosts… hopes to contribute to the community by sharing our unique space in the heart of Amsterdam.

Programme:

1 March
Ottokaji Iroke – With bye 
www.ottokaji.com

1 March
Guda Koster & Frans van Tartwijk – Holy rocks and Cosmo disco 
www.gudakoster.nl & www.fransvantartwijk.nl

2 – 3 March
Lama Aloul, Nathan Felix and Raphael Jacobs – How to build a sandcastle
www.raphaeljacobs.com  & www.instagram.com/nathan.feliot/

2 – 4 March
Elodie Vreeburg & Anna Tamm – Altars of Daily Life
www.elodievreeburg.com

2 – 5 March
Jana van Meerveld – Uncivilisation
www.janavanmeerveld.nl

4 – 6 March
VeryBadMoviesCollective – Pilot 

5 March
Omid Kheirabadi – Performance Research & Revolution
Performances 13h & 16h
www.omidkheirabadi.com/artist-portfolio

5 – 6 March
Zonder Punt Collectief – Free Floating
www.zonderpunt.com

6 March| TBC
Lijuan Klassen, Alec Mateo & Hala Namer – Performance

6 March | Private project
Balázs Varju-Tóth – Graduation Film

5 – 6 March
Zonder Punt Collectief – Free Floating
www.zonderpunt.com

6 March
Lijuan Klassen, Alec Mateo & Hala Namer – Performance

7 – 9 March

Sunrise tours – Project Mayhem
https://www.instagram.com/thesunrisetours/

Polina Fenko – Combat Breathing Laboratory
https://www.instagram.com/polya__v__ogne/

Laura A Dima – Future Affair
https://lauraadima.com/

Agata Zwierzynska – THE MUTOSCOPE & 20 OTHER BOOKS 
https://agata.home.xs4all.nl/

Alex Fischer – Hunter Trophies Works
http://www.alexfischer.net

10 March

Lauren Fong – Fog or Glitter II: Over the Sunset
http://vimeo.com/laurenfong

Catalina Reyes – Screening: “From The Verge Looking Inwards”

Henriette von Muenchhausen en Ai Hashimoto – Close Encounter

Gisela Domschke – Auroras, an art space in a modernist house in São Paulo
http://auroras.art.br

One Minutes x Sandberg – Premiere: The One Minutes Series Snack or Food Pill
http://theoneminutes.org/

11 March
The Shared Learning Collective (Piet Zwart Education in Arts Master)
How do we study together? – Collective Learning + Listening

10 – 13 March
Shareware Collective – Shareware Studio
https://www.ollestjerne.com/shareware

11 – 13 March
Lena Karson, Maisa Imamović, Roman Tkachenko, Natália Blahová, Ekaterina Volkova, Olga Permiakova and Iskra Vukšić – Time is an unrenewable resource — and you know how we are with those
https://www.timeis.capital

12 March
Anto López Espinosa – There are still flowers that will endlessly grow
spoken-word fully lip-synced drag performance
https://www.instagram.com/somos_anto/

12 – 13 March
Lily Lanfermeijer > 2×5?
http://lilylanfermeijer.com/

14 – 16 March
Christina Stavrou – Intangible Array

14 – 16 March
Ganesh Nepalcor – Metamorphosis

14 – 17 March
Geer van der Klugt – tekeningen
Bart Stuart – sculpturen

14 – 17 March
Cor van der Meyden – EXCAVATED PICTURES⁠

14 – 21 March
Delfin Lev – Pentimento

15 – 16 March
André Avelãs – 2 looping turntables with test records & 2 frequency sweep generators, for C45 tape

17 March
Fredie Beckmans – worstclub a gogo

Linda Molenaar – Jumping Birds and More⁠

17 – 18 March
Second Thoughts – Tasha Arlova, Eva Mahhov, Maja Chiara Faber – 

Jara van Teeffelen & Clara Gradel

18 March
Aimilia Efthymion – Nights are dark but dreams are alright⁠
performance 16 – 18h⁠

Embodied Knowledge Bureau

19 March
Dots and Sounds – Robat & Andrew Macrae – Live

19 – 20 March
Belle Phromchanya – I was here the whole time (80+) ⁠

20 March
chit-chat collective – Najiba Yasmin & sanj

20 – 21 March
Reading My Panties Zine Launch

21 March
Diana Al Halibi – On Scales of Violence: How to Measure a Dictator? (Screening)

Fa ma. – porous passing with bare feet (Performance)

Bradley Charles Hamlin – Antechamber

18 – 27 March
Noa Bar Orian

23 – 25 March
Tamara Kuselman – Installation

24 March
Mie Rygh Reianes – Territitorial Anxiety (Performance)

Stichting MARC (Privé event)

24 – 25 March
Bronwen Jones – Clothing Correspondence

25 March
Gweni Llwyd & Ifigeneia Ilia-Georgiadou – One Day Home (workshop)

25 – 27 March
Jochem van den Wijngaard, Alban Karsten, Kitty Maria & Irene de Boer (Group Show)

26 March
Noam Youngrak Son & Sonic Acts – The Story-Telling Eel-Orgy: Writing as an Aquatic Intercourse (workshop)

Hefla حفلة shop

26 – 27 March
Four Sisters Collective – Guerrilla Seed Bombing (Workshop)

27 March
Sojourna Jon-Paul – Drawing Performance

04/04
Paula Chang – How to disagree
@paula_chang_

04/04 – 06-04
Joakim Derlow – Vivl (south)
@joakimderlow

04/04 – 06/04
Radio Aahaa / Sandberg Fine Arts Department – THE RESIDENCE BROADCAST
@radioaahaa @sandbergfinearts radioaahaa.sandberg.nl

04/04 – 08/04
Romy Yedidia – Beauty Molds Transitioning (BMT)
@romyyedidia

05/04
Bodies of Land
Rens Spanjaard, Sieta van Horck

05/04 – 06/04
Youngeun Sohn – Home for the Onlookers
@sohnyoungeun

05/04 – 08/04
Aafke Bennema – Off the grid
@aafkebennema

06/04 – 08/04
Tobias Groot – First, They Gave Me Bones
@tobiasgroot.jpg

08/04
Ellipsis – The Imaginative World of Objects
@ellipsis.nl

08/04
Fundraiser Koeienrusthuis de Leemweg
https://koeienrusthuis.nl

08/04
Manuela Viezzer – Promise Me version 2.0.0
@manuela.viezzer

Sonic Acts 2022

W139, along with two other venues, Zone2Source and Het HEM, is hosting the Sonic Acts Biennial exhibition one sun after another between Sept. 30 and Oct. 23, 2022. Departing from the long-running Sonic Acts research on pollution, the exhibition focuses on the inextricable links between pollution and time. Pollution is a process that usually manifests itself long after it has begun and often in indirect ways.

one sun after another touches on deep, real and geological time, embraces nonlinearity, fluctuation and porosity, and makes room for leaks. The image of the sun – as a sign of hope, glowing without burning, imbued with warmth – feeds the imagination and brings forth life.

Contemplating multiple incarnations of time, one sun after another listens to an immersive aerial choir of bees, follows a microbe embedded within lithium traveling from a Chilean mine to a digital device, and plunges into deep time through lead-encased nuclear coconuts from the Bikini Atoll. Artistic research traces the lineages of exhaust produced by oil and other extractive economies, while in other places it speculates over Greenland’s mineral deposits, now made accessible by melting ice. In the Canadian Arctic, visual narratives on monumental ice walls come and go with tidal movements, soundtracked by a cacophony of environmental field recordings. Against the din, visitors are welcome to a joyful meditation about presence, sensing and bending time, before drifting downstream, where the exhibition stretches time even further. Diving under, performative and installative artworks explore toxic cycles of water and stretch inner time with hybrid instruments and sub-aquatic amplification.

Taking place throughout October 2022, the Sonic Acts Biennial takes place across various locations, interweaving exhibition openings, performances and lectures. These are accompanied by in/outdoor sound installations, artist presentations, workshops, excursions and other activities.

Sonic Acts Biennial 2022 is generously supported by Stimuleringsfonds Creatieve Industrie, Amsterdam Fonds voor de Kunst, Mondriaan Fonds, Fonds 21, Prins Bernhard Cultuurfonds, Fonds voor Podiumkunsten, Paradiso, W139, Het HEM, Likeminds, OT301, Zone2Source, and Singelkerk. Co-supported by the European Union’s Erasmus+ program.

Photography by Elodie Vreeburg en George Knegtel.

W139 hosts… 2023

With our second edition of W139 hosts… we are excited to open up the W139 exhibition space for a dynamic seven-week long programme providing 55 makers and initiatives with the opportunity to present new projects or works-in-progress. During W139 hosts… a new constellation of makers and collectives moves into the exhibition space every week—creating a fluid and constantly changing environment. Every Friday we will organize a diverse programme of performances, screenings, live radio broadcasts, karaokes, happenings or other experiments from 17:00 to 19:00.

Through an open call, artists, designers, curators, mediators, collectives, local initiatives, and communities were invited to propose projects and ideas that they consider urgent and relevant. After receiving over 400 proposals for our open call, we were reminded of the incredible lack of space in Amsterdam to present works-in-progress, to gather together informally, and to engage in artistic experimentation. 

Selected by our artistic team, the participants reflect the extent, range and variety of the artistic community in Amsterdam and The Netherlands, showcasing new works, works-in-progress, experiments, durational pieces, installations, performances, screenings, sound works, workshops, gatherings, rehearsals, informal work presentations, radio shows, and much more. 

During W139 hosts… we open our doors to give space in the city center for the artistic community and to serve as a platform to meet and exchange ideas. This initiative aims to support, enhance, and contribute to the artistic ecosystem. W139 hosts… responds to the current political climate in the Netherlands within the cultural sector, where the lack of local and national cultural funding and support has created an ecosystem of scarcity and competition. With this initiative, and in the face of cultural funding cuts, we want to embrace abundance, openness, sharing, and trust. 

Photography by Elodie Vreeburg.

Generously supported by Gieskes Strijbis Fonds, Gemeente Amsterdam, Mondriaan Fonds, and Oedipus Brewing.

Sonic Acts Biennial 2024

Encompassing the curatorial underpinnings of The Spell of the Sensuous, the 2024 Biennial exhibition illuminates the fluid, porous boundaries between the human and more-than-human, embracing a multiplicity of ways of sensing and engaging with the thresholds of the body.  

Taking shape across W139 and Looiersgracht 60 in the centre of Amsterdam, the exhibition brings together tactile sculptures, video works, and large-scale installations. Seeking to echo and give form to the ongoing environmental crisis, the featured artists examine dominant exploitative paradigms, the unexposed histories of contamination, bodily landscapes, and postnatural ecosystems. At the same time, and drawing on feminist theorist and physicist Karen Barad’s text On Touching – The Inhuman That Therefore I Am, the works propose tactics of ‘visual hapticity, sensory attunement, interspecies signalling, affectively charged multisensory dance and technological intimacies’. In this sense, they aim to bridge the gap between embodied encounters and those mediated by technology, uncovering hybrid ways of relating to the world and its ecosystems.  

Continue reading “Sonic Acts Biennial 2024”

People’s Forum

People’s Forum, Farida Sedoc’s first solo exhibition, explores the conditions for art as livelihood and as a vehicle for change. Sedoc starts from her own precarious experience as an artist to address new forms of collectivity. Amplifying past and current voices of diasporic and transnational communities, the exhibition reports on resistance and civil disobedience, and suggests tools for emancipation. The punk, reggae, and hip-hop aesthetics in her visual imagery contrast the visual language of mainstream media.

In People’s Forum, repurposing this visual research material echoes the spirit of the 80s and proposes alternative realities of the present. This not only forms the basis for addressing many urgent topics in the exhibition and in society today but also speaks about global power structures in relation to people’s social, cultural, and economic positions.

Next to a series of new works by Sedoc, People’s Forum will bring together a program offering alternative and accessible forms of artistic production and autonomy: an art market, how-to workshops, and an office-in-residence of Platform BK.

Office-in-residence:
Platform BK offers insights into their work as an advocacy organisation for artists and cultural workers, aiming to mobilise independent art workers, encouraging self-organisation and solidarity for a better art climate.

Photography by Pieter Kers.

Learn more about the participating artists and exhibition here.


Colophon

An exhibition by Farida Sedoc
Curated by Claudio Ritfeld

W139 Team: Fai Aldhukair, Tomas Adolfs, Nadia Benchagra, Dana Claasen, Levi van Gelder, Dil Ghale, Sam Geer van der Klugt, Margarita Osipian, Claudio Ritfeld, Suze van der Tang, Annette Wolfsberger

Platform BK Team: Harriet Rose Morley, Jeannette Slütter

Support Team: Andre Avelas, Michiel Terpelle (Jizz Taco)

Graphic design & spatial design: Erik de Hart (Heavy Bones)

This exhibition was generously supported by: Gieskes-Strijbis Fonds, Mondriaan Fonds, Amsterdams Fonds voor de Kunst, Cultuurfonds, Pictoright Fonds, Oedipus Brewing.

Dead Skin Cash

Voluntarily or involuntarily we humans shed our dead skinIn this exhibition, Ghita Skali and Salim Bayri take this fact as their starting point to zoom in on the ambiguities within our relationship to dead skin—the tensions between its acceptance and rejection (some keep it, some scrub it away), its proximity and our neglect, our indifference and its unstoppable production, our obsession and care but disgust once it leaves the body.

Offering €20 per gram, dead skin collection networks emerged through gossip, online advertisements, business cards, and stickers distributed around the city repeating the slogan “get money for your dead skin”. A naive attempt to create a new kind of currency while simultaneously diverting and redistributing public money to people who took the bait out of curiosity, necessity, or entertainment. Within this context, an intimate and immediate material such as skin becomes a possible commodity. How dirty can money be?  

What happens when a value is set on something we expel from our bodies? When there is the possibility of getting a reward for something that is usually discarded, dilemmas arise between economic interests, integrity, ethics, labour, and exploitation—echoing the metaphor of “selling your own skin”. Despite this enticing offer, some people had no interest in this exchange, provoking the question “who can afford not to sell their own skin?”. 

The exhibition is composed of all new works. A Dead Skin Cash information welcome desk gives way to large printed textiles that appear as aerial views of landscapes but which in fact are made of dead skin samples from contributors. Inside empty construction and spa buckets are recorded voices and sounds from the conversations of disgust and amusement with strangers, confusion from nail salons, and a dermatologist’s opinions. Upstairs, a ‘classical’ exhibition room displays collages made with found images and collected material. Further in, the video Semiotics of the Hammam—a direct response to Martha Rosler’s Semiotics of the Kitchen— shows a character trapped in a dry hammam presenting, with irritation, hygiene tools that gradually start to feel like weapons.

Photography by Pieter Kers.

Handout (pdf)


Colophon

Initiated by Salim Bayri and Ghita Skali.

W139 team: Tomas Adolfs, Nadia Benchagra, Dana Claasen, Levi van Gelder, Dil Ghale, Sam Geer van der Klugt, Kirsty McIntosh, Margarita Osipian, Claudio Ritfeld, Annette Wolfsberger

Support team: Andre Avelas, Grimm van den Berg, Hugo Inglez, Alma Kim, Boris van Nes, Pedram Sazesh, Sabrina Simons, Sophie Soobramanien, Shreya De Souza, Angus Liao, Zhix

Visual Identity: Oriol Cabarrocas

Supported by Gemeente Amsterdam, Mondriaan Fonds and Prins Bernhard Cultuurfonds.

SALWA’s Internet Cafe

Are you curious about how the internet has shaped the lives and creative expressions of migrant communities? During SALWA’s Internet Cafe, we will dive into the topic of internet infrastructure in relation to migration.

For the last three months, participants of SALWA’s residency program explored the experience of using the internet in communal and physical spaces, and how this has influenced the visual language of creatives with a migrant background. SALWA and W139 are more than excited to share the results with you and present our resident artists Chen Yu Wang, Geo Barcan, Hala Alsadi, and Sixin Zeng who have been exploring questions revolving around the internet as a space, whether it’s virtual, physical, or conceptual.

The event takes place over several days, featuring a series of screenings, performances, discussions, and site-specific installations hosted at W139. The themes they will be exploring include the experience of using the internet as a community and the knowledge that has emerged from it. They will also be examining nostalgia and memories, local internet infrastructures, digital migration, online gender roles, and pop-visual and sonic languages that emerged from the late 1990s and early 2000s.

SALWA’s Internet Café is generously supported by Creative Industries Fund NL and Amsterdam Fonds voor de Kunst. Partners include The Finnish Cultural Institute for the Benelux, The Hmm, Varia Zone, W139 and The Institute of Network Cultures.

Photography by Giovanni Salice.

More information here.

Substitutes

Substitutes engages with queer history and discourses around the body, gender, and sexuality. It features artists across several generations working in a variety of mediums to contextualise and converse with these discourses. The exhibition is about the absence of bodies, the abstraction of the body, and the tools and language we use to maintain or describe our bodies—costuming, staging, masks, layering, clothing. It questions the normative frameworks that queer and functionally diverse people are subjected to. The human body is, paradoxically, both absent and present within the exhibition. 

Initiated by the artist Philipp Gufler, Substitutes brings together works of Lorenza Böttner, Johanna Gonschorek, Elisàr von Kupffer, Rabe perplexum, Louwrien Wijers, Johannes Büttner, and Bruno Zhu. Philipp Gufler will show a new work titled Body/Text: a large-scale silk screen printed textile piece that draws inspiration from Elisàr von Kupffer’s panorama painting Klarwelt der Seligen (Clear World of the Blissful). By connecting contemporary discussions to historical perspectives, the exhibition aims to create a ‘living archive’. Drawing together artistic positions from then and now, the exhibition traces queer lives and networks from the past to our present. 

Exhibition photography by Pieter Kers.

Find the PDF version of the exhibition handout here.


Colophon

Visual Identity: Jacob Hoving

W139 team: Tomas Adolfs, Nadia Benchagra, Dana Claasen, Levi van Gelder, Dil Ghale, Kirsty McIntosh, Sam Geer van der Klugt, Margarita Osipian, Claudio Ritfeld, Annette Wolfsberger

Additional support: Nor Akelei, Andre Avelas, Charlotte Beeck, Martijn van der Blom, Franziska Müller Schmidt

Special thanks to the artists of the exhibition, Szymon Adamczak, Alex Anders/Geier, Johanna d’Armagnac, Claudio Berger, Jörn Bötnagel, Irene Böttner, Elfe Brandenburger, Wilfred van Buuren, Anke Büttner, Ergül Cengiz, Hans D. Christ, Adrian Djukic, Holger Dreissig, Iris Dressler, Burcu Dogramaci, Beat Frischknecht, Bert Gammenthaler, Egon Hanfstingl, Françoise Heitsch, IHLIA LGBTI Heritage, Albert Knoll, Karolina Kühn, Munich Documentation Center for the History of National Socialism, Viktor Neumann, Anton Paula, Kurt Petz, Rory Pilgrim, Yvonne Quirmbach, Thomas Schütte, Mareike Schwarz, Angela Stiegler and Württembergischer Kunstverein Stuttgart

This exhibition is generously supported by Mondriaan Fonds, Gieskes-Strijbis Fonds, Amsterdam Fonds voor de Kunst, Fonds21, Goethe Institut, Centro Elisarion, Pro Elisarion Association, Monacensia im Hildebrandhaus, Forum Queeres Archiv München and Grafisch Atelier Hilversum

Turning Towards Fluidity: Tournament of the Unknown

From 19 November until 18 December 2022, Gabriel Fontana’s Turning Towards Fluidity: A Tournament of the Unknown will take place at W139. Unfolding over a period of one month, and running parallel to the World Cup, A Tournament of the Unknown aims to overcome binary thinking and rigid social values, through a series of games, ceremonies, workshops and classes.

The Tournament of the Unknown will serve as a framework through which we think, act, and engage amongst each other, inviting us to re-imagine alternative modes of being together in society.

During the opening and the closing, the audience can actively participate in the tournament. Also, various groups – ranging from local schools to art organisations – will be invited to participate in the organised games held at W139. In addition to the tournament, an exhibition and public programme will take place in the W139 ‘arena’ so that the space is also activated in between games. We will be showing a selection of artworks and we will be organising a public program that includes lectures, a film night, and mediated world cup viewing sessions.

The exhibited artworks, which include installations, textiles, and video works, will intervene into the sports hall and provide new entry points into sports as a microcosm of society. Next to this we have curated a selection of clothing and accessories by independent designers and artists that engage with the intersection of sports and fashion. Merchandise, specially designed for the exhibition, will also be available at the W139 shop.

Participating artists are Ronnie Close, Delphine Dénéréaz, Gabriel Fontana, Martynas Gailiušas, Davy de Lepper, John Lucas, Claudia Rankine, Julius Thissen, Paul Whitty, Versatile Forever and Sample.CM.

Handout (pdf)

Photography by Zazie Stevens and Elodie Vreeburg.

Visual identity by Sheona Turnbull and TAL.

Supported by VriendenLoterij Fonds, Creative Industries Fund NL, Mondriaan Fonds, City of Amsterdam and Concrete.