Meet Rainbow Soulclub #2

Join us on Saturday, April 12, to meet Rainbow Soulclub members during an informal afternoon featuring various activities, including live painting at the drawing table with Ebby, Abdi, and David, spiritual education in the tent with Mimosa, an informal group discussion on homelessness and housing in Amsterdam with Malika Amghar, a vegan spring roll workshop with Ting, and the classic Free Advice sessions with various Rainbow Soulclub members—get answers to all your life questions from an unexpected perspective.

Live music: Jacques (guitar and vocals)
Food: Soup by George & Perry (vegan)
Guided tour of the space – Tomas, George, Saskia

Malika Amghar has been working for more than 20 years in the social domain of Amsterdam on practical and creative solutions regarding homelessness and housing at De Regenboog Groep. Her focus is on what is possible and what does work: “I find coming up with solutions fascinating and challenging; my passion lies in removing a root cause in the system. I don’t like mopping with the tap running.

Picture by Maarten Nauw / Stedelijk Museum Amsterdam.

Meet Rainbow Soulclub #1

Join us on Saturday, March 22, for an informal afternoon with the Rainbow Soulclub, where you can meet members and take part in a variety of activities. Enjoy live painting at the drawing table with Ebby, Abdi, and David, explore spiritual education in the tent with Mimosa, and join an open discussion with human rights lawyer Eva Bezem. Take part in a vegan spring roll workshop with Ting and experience the classic Free Advice sessions with Rainbow Soulclub members, where you can get answers to life’s big and small questions from a fresh perspective.

Eva Bezem has been a human rights lawyer for many years, specializing in migration law. She is particularly committed to advocating for the legal status of Surinamese former Dutch nationals. In 2024, Eva submitted a residence permit application for 100 ‘former Dutch Surinamese’ individuals.

Picture by Maarten Nauw / Stedelijk Museum Amsterdam.

Tales Between Threads and Stars

The stars tell us stories, and with them, we can traverse time and space. Through them, we understand that the depth of the universe is infinite. Throughout human history, they have helped us explore the world, narrate mythologies, understand the seasons, and dream of new imaginaries. Recognizing where we come from is a step forward in understanding who we are in the cosmic cycle.

During this workshop, led by the Warmi Küyen Collective and hosted by Anna Hoetjes, we want to create a deep and creative dialogue between our understanding of the stars and the textile practice of embroidery. Through embroidery guidance from Warmi Küyen participants will explore the role and influence that stars play in our understanding of our surroundings and in our understanding of deep timescales. Reflecting collectively on basic knowledge of astronomy, both from the Northern and Southern hemispheres, we want to connect wisdom, reflecting on Greco-Roman myths and Andean cosmovisions. The invitation is to discover how cultures have used and still use the knowledge and movement of the stars to understand and transform their daily lives, using them for navigation, agriculture and cultural traditions, among others. As well as the impact it has today, in the understanding of our society, science and our own connection to the fabric of life.

In this workshop we will create a collective work called “Celestial Planisphere”, in which participants will work with the embroidery technique to create a map of the sky. On this collective canvas, participants will embroider the constellations, visible during the Summer Solstice, both in the Southern and Northern hemispheres, as well as symbols and patterns that they personally connect to the stars. The date of Summer Solstice is inspirational as it marks the beginning of a new cycle for many cultures as well as marking the beginning of a new planetary cycle from an astronomical perspective. By working on this canvas, participants will learn the basic stitches necessary to embroider this textile piece, as well as some basic knowledge about astronomy, the dimensions of the different stars, their position in the sky, the ancestral and mythological history behind them, and how to use a celestial planisphere in real life.

Capacity: 20 people maximum
Ticket: €10,00
Student ticket: €7,50

Buy your ticket here.

Warmi Küyen is a collective of Latin American women artists and cultural managers, based in Amsterdam, NL. The collective arises from their need to express their feelings and vision through the textile arts, promoting and spreading the Andean Textile culture.

if you’re on time, you’re late

if you’re on time, you’re late is a three-part workshop series by Taylor Le Melle for writers of speculative fiction, science fantasy, and magical realism. During this series of three workshops we will experiment with timed automatic writing in response to a question or prompt. We will drink tea and discuss what it takes to show up at the desk or wherever you write, and at the end of this workshop you can leave with additional structures to support your creative work. 

The thing is, inspiration is ecstatic, sure, and craft is honed through experience, yes, but in addition to those talents, Octavia E. Butler also had a plan, Ursula K. Le Guin also had a daily routine. How do we reconcile the rote work of being available to write with our urgent work of dismantling one of England’s violent inventions: standardised time? And while writing is not only a cognitive exercise, it does, at a very basic level, entail the firing of electricity from our guts to our brains and then on to other parts of us via the nervous system. First stop after the brain is the heart, by the way. So, the question is, how can we create more heart for our writing by what we feed the gut?

We will be feeding the gut during the workshop because food, or minerals, or our parting gift from the earth, is what carries information to every cell in our bodies, or our DNA, or our gift from our people that came before us in time. Automatic writing is a way of translating that information that the minerals carry.

19 January — 14:30 – 17:30 
26 January — 14:30 – 16:30
2 February — 14:30 – 16:30

Capacity: 10 people maximum
Tickets: €30,00
Studentticket: €20,00

Buy your ticket here.

* Snacks and drinks will be provided during the workshop. Please let us know if you are attending and have any food allergies.

Taylor Le Melle is based in Amsterdam and is a writer. Taylor’s work has been published in the anthology Carrier Bag Fiction by Spectre Books, and as an editor published Orion J. Facey’s cult science fantasy classic The Virosexuals.

Between the Shadow and the Sun 

The winter solstice marks the longest night of the year in the Northern hemisphere. This moment, when the sun seems to stand still for a moment, has marked an important transition in our planet’s cycle since the earliest times. On this day we embrace scarcity, abundance, and renewal in this specific cusp in time. During this event we will gather together to celebrate the winter solstice and think about how we can collectively prepare for times of scarcity. Through conversations, cooking and eating together, and watching a film, we will explore how our own human cycles are inextricably tied to the cycles of the seasons and agriculture.

Mariken Heitman, renowned Dutch novelist, educator, and vegetable farmer, will be joining us as a guest. Her work, both in farming and in writing, reflects on how the cultivation of crops can be seen as one of the most intimate relationships between human bodies and their surroundings. In her work she’s also increasingly critical about the artificial division of human and nature. While we prepare food and cook together, we will have a conversation with Mariken to reflect on cycles of growing, harvesting, preserving, celebrating, and resting—both of humans and of the land. We’ll also explore how in literature and in art speculation can be used as a tool to build words and carve out space for new perspectives.

The practices of stocking provisions and creating energy reserves for times of scarcity also carry celebration within them. Throughout the evening, artist and chef Maria Khatchadourian will guide us to collectively prepare food and cook together, reflecting on the tensions between abundance and scarcity that are present during the winter solstice period. Bringing together winter plants and roots, both foraged and cultivated, our collective meal will reflect on the past and future (embodied knowledge) and notions of sustenance in relation to scarcity.

The evening will finish with a screening of Saul Williams’ film Neptune Frost—a  transdimensional sci-fi musical set in past-, future- and present-day Rwanda, in the afterlife of the nation’s civil war. An adventure into anti-narrative as Black diasporic treatise, Neptune Frost tells of a generation of dreamers escaping the psycho-social wreckage of colonization, genocide, and the residual brutalities of global extractive industries.

Mariken Heitman studied biology in Utrecht, and currently writes and works as a gardener and teacher of vegetable cultivation. She has published short stories on de Fusie, De Optimist, Papieren Helden, nY, and extra extra magazine. Articles and essays by her have appeared in De Volkskrant, De Standaard and NRC, among others. In 2019, her debut novel De Wateraap was published by Atlas Contact. It was nominated for the Bronzen Uil, the Anton Wachterprijs and was on the longlist for the Jan Wolkersprijs. Her second novel Wormmaan was published in August 2021. Her latest novel De Mierenkaravaan was published in August 2024.

Maria Khatchadourian’s artistic practice takes shape at the intersection of food and art, where inherited recipes, food imaginaries, and communal gestures of eating and cooking together become a gathering ground to unearth notions of exile and loss. Through durational performances, installations, and collaborative dinners she wants to shed light on the politics of care and conflict, of kinship and hardship that shape the landscapes we inhabit.

Get your tickets in our Eventbrite page!

Full programme (Cooking, dinner and screening):
Regular ticket – €12,50
Student ticket – €10,00

Only film screening (from 20:00):
Student discount – €4
Regular ticket – €5

Experimental Pizza Club

W139 invites you to the Experimental Pizza Club, a collective dining experience during Amsterdam Art Week. 

Loosely, this is how it works: each pizza-lover brings three toppings to the table: something that tingles their taste buds, something they think will be delicious, something they think will be challenging. The toppings are all spread out, the order for choosing toppings is collectively decided, and one by one participants add toppings until someone decides to “call it”, declaring the pizza finished, and slides it into the oven.

Keeping up with the themes of Outside the Soup, generosity, sharing, and collaboration are essential ingredients for this event. E.P.C. is an exercise in letting go, of losing control, of freestyling; a cadavre exquis of desires and flavours.

Experimental Pizza Club, founded in 2018 by Katrina Niebergal, Daisy Madden-Wells, and Afra Eisma, is about coming together and playing with the process of pizza making.

Tickets are available via the Eventbrite page for the event.

Visual identity by Sheona Turnbull.

Citizen’s Circle

Meenakshi Thirukode invites you to Citizen’s Circle, a public gathering, workshop, and collective dialogue in which Meenakshi invites participants to contemplate on ideas of citizenship and democracy. How does solidarity and allyship operate in times like these? What does it mean to participate in a democracy? This circle will prompt reflection on embracing discomfort, of sitting across from a fellow human, fostering a moment where we can talk, hold space for each other, and listen.

TIME calls this “The Ultimate Election Year’ with 64 countries (plus the European Union) going to the polls globally. That’s 49% of the combined population whose votes—amidst the backdrop of many resistance movements—will set the course of what democracy will look like in the future. Meenakshi is interested in the interconnectedness of the struggle for liberation, whether it’s combatting sexual violence or eradicating settler colonialism. How do these issues intertwine? Rooted in the idea of politics of love in India, this workshop recognizes that our freedoms are inseparable from one another, and that we must learn from each other’s perspectives in the pursuit for a better world.

Citizen’s Circle will include a brief discussion of the video work titled The Great Intangible: for the love of a politics of love (in two parts), which is being screened as a part of Outside the Soup. Please join us on Saturday 6 July for this special gathering!

This workshop is part of Outside the Soup, a group exhibition that emphasizes the potential of art to create new worldviews through radical imagination and artistic experimentation; placing care, solidarity, and trust at the forefront.

Citizen’s Circle is organized in collaboration with Kunstinstituut Melly and is supported by The Polis Project. The visit of Meenakshi Thirukode is made possible by the International Visitors Programme of the Nieuwe Instituut with support from the Netherlands Ministry of Foreign Affairs. 

Tickets are available via the Eventbrite page for the event.

Visual identity by Sheona Turnbull.

Gathering Earthseed

“The destiny of Earthseed is to take root among the stars.”
— Octavia E. Butler, Parable of the Sower

July 20, 2024 marks the beginning of Octavia E. Butler’s trailblazing 1993 feminist science fiction book Parable of the Sower, from the Earthseed trilogy. In light of this meaningful date, artists Müge Yilmaz and Anna Hoetjes, in collaboration with Marly Pierre-Louis and Fiep van Bodegom, are initiating Gathering Earthseed; a full-day gathering at W139 that emerges from the legacy and spirit of Butler’s work and her literary universe.

Gathering Earthseed will mark the symbolic moment in time when Parable of the Sower transitions from being set in the future to being set in the present. This communal gathering approaches this moment as both a ritualistic transition and a practical moment in which to gather in conversation and solidarity with one another—envisioning new possibilities of worldbuilding in our own timelines.

An interdisciplinary group of visual artists, writers, and cultural practitioners—inspired by Butler’s work in their own practices—have been invited to shape the day’s programme. Through workshops, conversations, readings, rituals, and a communal dinner, we’ll investigate the tools and practices that allow us to conceive new social realities, alternative futures, and communal relations to nature. By exploring feminist, decolonial, speculative worldbuilding, we seek to critique the socio-political structures we live in and write ourselves into the future(s) we want to see; creating pathways out of destruction and establishing life-affirming realities instead. Always anchoring back to Parable of the Sower, this gathering centers feminist, queer, Black diasporic, and decolonial practices.

The gathering will be the starting point for the exhibition Taking Root Among the Stars, opening November 2024. This exhibition will feature the work of artists and writers who use feminist science fiction not only as a theme in their work, but also as a tool to foster the exchange of radical speculative strategies.

Visual identity by Sheona Turnbull.

Programme

13:00 Doors open
13:30 Program introduction with collective reading
14:30 Panel discussion with Sondi, Aafke Romeijn, and Pirilti Onukar, curated and moderated by Fiep van Bodegom
16:30 Workshops by James Parnell, Camille Sapara Barton, Fazle Shairmahomed, and Chimira Natanna Obiefule, curated by Marly Pierre-Louis
19:00 Ritual
19:30 Collective dinner
21:30 Closing of programme

Conversation: Taking Root in the Presence

Octavia Butler’s Parable of the Sower starts on July 20, 2024, in a world where society has fully broken down and is ravaged by ecological disaster on a planetary scale. In her novel Butler depicts a frighteningly recognizable world for contemporary readers. Lauren Olamina, the main character in Parable of the Sower, uses her knowledge of human nature and the environment for survival. She brings to life a community around her own religion, written down in verses in “Earthseed: Book of the Living”. Lauren Olamina plants the seed for a movement that will enable humanity to survive and even thrive by taking root amongst the stars. 

During this collective conversation, facilitated and moderated by Fiep van Bodegom, we will bring together Sondi, Aafke Romeijn, and Pirilti Onukar, to engage with Butler’s work through the practices of writers, artists, and translators. We will explore the relevance of Octavia Butler today and how she can inspire us to envision a future and build communities in our present moment. How does Butler’s work and world building translate into other disciplines and adapt to our contemporary realities?

Workshop programme: Seeds of Survival: Practices of Radical Imagination

This session, curated by Marly Pierre-Louis, takes Lauren Olamina’s survival strategies of interdependence and speculation as key to collective survival. Marly will hold this collaborative space under the light of Butler’s legacy—centering radical imagination as methodology for Black liberation, knowing that we must practice today for the tomorrow we want to see. Marly has invited James Parnell, Camille Sapara Barton, Fazle Shairmahomed, and Chimira Natanna Obiefule to facilitate parallel workshops during this session, that collectively engage with these strategies for survival through grief tending, personal values and a reconfiguration of labour.

Workshop 1
Camille Sapara Barton
The workshop will explore why it’s important to grieve in this time, how we can support ourselves and others with challenging emotions, and give care in ways that reduce harm. The workshop will begin with a somatic practice, there will be some context and sharing followed by some partner exercises. Medicinal tea will be available—Passionflower and Rose—which can be supportive to reduce anxiety and support the nervous system.

Workshop 2
Values in Candle Light
James Parnell 
Our values help connect us to our friends, loved ones, and community members. But how can we begin to identify what is the most important to us? In this workshop, we will use the process of eulogy writing to uncover our personal values. We will look at examples of eulogies, write our own, and perform them to each other.

Workshop 3
Partnering with Change
Chimira Natanna Obiefule
Oya is our protagonist’s middle name. In a deck of oracle cards I own, Oya—the Yoruba Goddess/Orisha of Storms—is a card of change. The winds of change are in motion. Into every life a little rain must fall… Knowing that rain has always poured and will still continue to do so in our lives, what self truths can we identify and how can we ground ourselves within such a knowing? What are changes that continuously happen in your life? What languages of tenderness can we apply through the act of embracing the storm? During this writing workshop we will use our histories as a mirror into the now—finding ways through which we can address a future by changing the language and narrative of a past.

Workshop 4
Rituals for Decolonization
Fazle Shairmahomed 
In this workshop you are invited to develop a personal and communal understanding of ancestry rooted in spiritual practices of meditation, writing, body movement, dance, multi-sensorial stimulation, altar making, and group talks. We will explore both cyclical and infinite space. The first more rooted in approaching ancestry, and the second as part of the Analemma movement practice. Analemma is an astronomical figure that we perceive from our Earth sky when we follow the course of the Sun throughout the course of a year at the same time every day. In the movement practice this figure is actively observed in the heart, hara and their relationality. 

The aim is to create an intentional decolonial safer space where we can develop an understanding of what communal healing could look like in a society that is partially still being shaped by  colonial mechanisms. The history and reality of different people who were forced to migrate still exist in systems today, in which people are being marginalized, oppressed and excluded.

You will be prepared with exercises that are inspired by Butoh, Body Weather, Gnawa and Zar, bringing us to bodies that do not exist anymore, the soul inside of us, towards the politicized body in which we exist. We explore how our bodies relate, and how the transcendental exists within the presence of a group. We will work on a consciousness of how to get into this state and find your own path towards controlling or letting go. 

This workshop will center Queer, Trans, Black/Brown, People of Color, but is open to anyone mindful of the experiences of QTBPOC being centered. No prior experience is required, but it is in your own advantage if you identify yourself with the fight for decolonization.

Before the workshop you are requested to conduct short homework assignments in order to collect writings through which you meditate on the relationship with your ancestors, and to collect elements for your personal altar. You will receive this information by mail after registration.

Tickets

Buy your ticket via the Eventbrite page of Gathering Earthseed.

Tickets are fully sold out. Thank you for your interest!

Tickets*:
€15 for full day program including dinner
€7,50 student rate

* We offer community tickets for visitors who do not have the financial means to visit W139’s exhibitions or context programming. If you want to join Gathering Earthseed but do not have the means, please contact us at info@w139.nl.

* The ticket gives you access to the full day of activities. If you are unable to join for the entire programme, feel free to only attend the parts where you are available.

About the participants

Marly Pierre-Louis is a writer and community cultivator based in Amsterdam. Her work explores the inner worlds and survival strategies of Black women while her social practice seeks to conjure spaces of healing and radical possibility.  In 2023 Marly received her MFA from Sandberg Institute, Amsterdam. She is the co-founder of Amsterdam Black Women collective — a community of diasporic Black women chasing their dreams through Europe and co/curator of the WILD; a series of pop-up bookstores and art experiences inspired by the tradition of Black fugitivity. She’s a first generation Haitian-American, a big sister, a mother, and a Taurus through and through.

Camille Sapara Barton is a writer, artist and somatic practitioner. They have been tending grief since 2017 and have developed public resources, programs, and tools to cultivate the practice with others. Rooted in Black Feminism, ecology and harm reduction, Camille is a Social Imagineer, dedicated to creating networks of care and livable futures. Their debut book Tending Grief: Embodied Rituals for Holding Our Sorrow and Growing Cultures of Care in Community will be published in April 2024 by North Atlantic Books.

Based in Amsterdam, Camille designed and directed Ecologies of Transformation (2021 – 2023), a masters programme exploring socially engaged art making with a focus on creating change through the body into the world. They curate events and offer consultancy combining trauma informed practice, experiential learning and their studies in political science. Camille loves plants, sci-fi, music and dancing.

James Parnell is a The Hague-based curator, facilitator, dancer, and zine-maker who focuses on community building, collective learning, and the conflicts that arise in these practices. He often works in cultures and artistic communities on the margins, such as queer communities, Black communities, and independent publishers.

Chimira Natanna Obiefule is a Nigerian artist and researcher whose labour of love prioritises Black queer liberation. They express their vision through the visual arts, performance lectures, and music. In 2021, they were shortlisted for the “Manifesting Systemic Change through Creative Waves” initiative by The Black Archives in Amsterdam. This honour included a commission for an art piece and essay focused on practices of refusal and imaginary possibilities, highlighting the Black woman as a daily practitioner of freedom. Their involvement with The Black Archives extended as they became an in-house writer from 2022 to 2023. In their studies and worlds (not work!), Chimira develops languages for refusal and healing in reimagining education, community, femininity through sisterhood, and somatic knowledge as resistance. Through their expressions they continually map a path led by intuition, forging a path of self-liberation and self-discovery. 

Fiep van Bodegom is a writer, critic and translator. She is the editor of Extra Extra Magazine and teaches at the Creative Writing department at ArtEZ, University of the Arts. She has published regularly about literature in, amongst others, De Gids, De Groene Amsterdammer, NRC, and De Nederlandse Boekengids. She wrote the foreword for the first Dutch translation of Octavia E. Butler’s novel Kindred (Verbonden, 2022).

Sondi is a new media artist from Germany, born in Cameroon and based in the Netherlands. Her work is deeply rooted in her identity as a person of the diaspora and acts as a conduit to unravel the intricate and intimate layers of identity, belonging, ownership, and heritage. Her artistic process centers around the concept of worldbuilding, creating virtual environments where memory, ancestry, and imagination enter into being. In these virtual dreamscapes, she examines new modes of being, using the power of imagination as an instrument of liberation.

Sondi’s work continuously navigates between virtual and physical spaces to investigate the intersection between technology and culture. By examining the ways popular media constructs and disseminates images and ideas, her work aims to challenge the dominant cultural narrative that shapes our perceptions of ourselves and others. Her body of work reflects on the interplay between our corporeal, spiritual, and digital selves and spans a diverse range of mediums, including Game Design, Audio Visual Performance, Theater, Music, Film, and Education.

Pırıltı Onukar is currently graduating from the Artistic Research Master’s program at the University of Amsterdam. She is the English to Turkish translator of Octavia E. Butler’s Xenogenesis trilogy (Lilith’s Brood) and the Patternist novels (Seed to Harvest), as well as Nnedi Okorafor’s Akata Witch series. Apart from being a translator, Pırıltı is an artist, theatre-maker, olive farmer, and film director.

Fazle Shairmahomed creates decolonizing rituals, performance art, and dance. Their work is rooted in ancestral work and intersectional activism. Through the urgency of community building their work creates spaces in which different communities are invited to nurture conversations around colonialism and the ways in which it has impacted our histories and the ways in which it exists today. The multi-sensorial approach in their work also challenges the ways in which we perceive the world around us through themes such as death, rebirth, ancestry, belonging, colonial histories, and healing. Since 2013 they are also one of the members of CLOUD danslab, an artist-run dance studio which supports research and practice of dance, movement, and performance art in the Hague. 

Damani Leidsman is an artist, teacher, and producer who is mainly concerned with music, movement, and performance. As a cultural worker, their practice is inspired by oral traditions from Africa and the diaspora, healing work, and Afro-futurist practice. They release music under the name Mushroom Mosis and are currently exploring ways in which artistic production can function as a space for healing and joy. Moreover, they are vegan, constantly hopeful, and looking for art to decorate their living space.

Aafke Romeijn is a writer, musician, and journalist. She studied composition at the Conservatory in The Hague and Dutch literature at Utrecht University. Aafke is the uncrowned queen of Dutch-language electropop, and released multiple EPs since her debut in 2012. In 2018 her debut novel ‘Concept M.’ was published and the album ‘M.’, the soundtrack to the book, followed a year later. Her most recent album ‘Godzilla’ was released in June 2021, and her second novel ‘7B’ was published in the same year. Both her novels are dystopian political thrillers that give sharp commentary on the Dutch political landscape from the 1990s.

Together with a collective of Dutch musicians she founded BAM!, a professional association for, and by, author-musicians who strive for more transparency and a fair distribution of income. Romeijn is politically active for the PvdA, and was on the PvdA electoral list in her hometown of Utrecht in the 2022 municipal elections.

Environmental Justice Questions

Which song reminds you of the collapse of our planet? Whose fantasies are we living in? Environmental Justice Questions are questions about environmental justice for discussion and debate, compiled by artist Harun Morrison. A range of people – activists, writers, artworkers, architects, chefs, natural historians, and horticulturalists – were invited to propose a question that can stimulate conversation. In this workshop, led by Morrison, we will engage in collective conversations and small-group discussions around chosen questions from his ongoing project exhibited at W139.

Pastegh – Fruit Leather and Undulating Storytelling

Join us on Saturday 13 November for a fruit-full workshop led by Veronika Babayan. The workshop involves watching, listening, remembering, and using our hands together. There will be undulating, non-linear storytelling and readings by Veronika as well as cutting, cooking and drawing collectively. Participants will learn how fruit leather is made—also known in the Caucasus and Middle East as pastegh, pestil, lavashak, tklapi, amerdeen. Each person will be given their own small piece of pastegh (fruit leather) on which they can draw/write with edible ink. There is also the option to laser engrave symbols into your piece. If you prefer to laser engrave, we ask you to send a digital file to margarita@w139.nlbefore the 13th of November. Please read the file requirements below carefully. 

In Veronika Babayan’s installation Sour Counterfeits, the maternal Armenian tradition of fruit leather making is seen as a mnemonic device for cultural preservation. Sour Counterfeits pulls from a larger collective memory, serving as a vessel through which deracinated testimonials of trans-generational trauma circulate beyond territory, language and citizenship.

Photography by Elodie Vreeburg.