Cripothecary: Herb Processing and Solidarity Workshop

Join us for an open workshop where you get to become part of our lab, making your own concoctions. Inspired by the work of The Solidarity Apothecary (Herbalism and State Violence, Nicole Rose), we will humbly guide you through processing herbs that may be able to help with what makes us sick, anxious and inflamed. 

Our Para-siting space is located on the first floor which can only be reached via a set of stairs. If you are visiting any of our public programme and you have any access needs, please let us know so we may try to accommodate best within our capacity. For this event our normal ticket prices are applicable. For more info see Contact & Visit.

Reserve your spot here!

Pırıltı Onukar has been exploring the themes of belonging and community through experiential process-based and often situated multidisciplinary work, film, participatory performances, translation, farming and foraging. She is currently focusing most of her attention on the artist-run collective GROND Bajesdorp.

Ilja Schamlé is an artist and writer with an amateur herbal and social medicine practice, yet always stuck on when these things tip over from something liberatory into something lonely, esoteric and de-politicised. She is an all round janitor of a community and residency space called Massia.

Crip Healers Reading Group

In these sessions we will read together texts that are guiding Ilja’s and Pırıltı’s  research on herbalism, urbanism, witchcraft, politics of health and crip theory. Together we will try to find how these connect, forming solidarity between our bodies, plants and the city. Guided by the metabolics of Warmoesstraat we will ask what healing means and what makes us sick. No preparatory readings required as we will read and discuss together.

The first session on 2 May will juxtapose theory with speculative fiction. We will read an introductory text to crip theory followed by a selection of passages on the healer character Anyanwu in Octavia E. Butler’s Wild Seed.  

In the second session on 16 May, we focus on inflammation by moving between different theoretical texts on health and politics alongside close readings of herbal recipes by The Solidarity Apothecary. 

The reading groups will be held in the main exhibition space which is wheelchair accessible. For this event our normal ticket prices are applicable. For more info see Contact & Visit.

Our Para-siting space is located on the first floor which can only be reached via a set of stairs. If you are visiting any of our public programme and you have any access needs, please let us know so we may try to accommodate best within our capacity.

Reserve your spot here!

Pırıltı Onukar has been exploring the themes of belonging and community through experiential process-based and often situated multidisciplinary work, film, participatory performances, translation, farming and foraging. She is currently focusing most of her attention on the artist-run collective GROND Bajesdorp.

Ilja Schamlé is an artist and writer with an amateur herbal and social medicine practice, yet always stuck on when these things tip over from something liberatory into something lonely, esoteric and de-politicised. She is an all round janitor of a community and residency space called Massia.

Crip Healers Reading Group

In these sessions we will read together texts that are guiding Ilja’s and Pırıltı’s research on herbalism, urbanism, witchcraft, politics of health and crip theory. Together we will try to find how these connect, forming solidarity between our bodies, plants and the city. Guided by the metabolics of Warmoesstraat we will ask what healing means and what makes us sick. No preparatory readings required as we will read and discuss together.

The first session on 2 May will juxtapose theory with speculative fiction. We will read an introductory text to crip theory followed by a selection of passages on the healer character Anyanwu in Octavia E. Butler’s Wild Seed.  

In the second session on 16 May, we focus on inflammation by moving between different theoretical texts on health and politics alongside close readings of herbal recipes by The Solidarity Apothecary.

The reading groups will be held in the main exhibition space which is wheelchair accessible. For this event our normal ticket prices are applicable. For more info see Contact & Visit.

Our Para-siting space is located on the first floor which can only be reached via a set of stairs. If you are visiting any of our public programme and you have any access needs, please let us know so we may try to accommodate best within our capacity.

Reserve your spot here!

Pırıltı Onukar has been exploring the themes of belonging and community through experiential process-based and often situated multidisciplinary work, film, participatory performances, translation, farming and foraging. She is currently focusing most of her attention on the artist-run collective GROND Bajesdorp.


Ilja Schamlé is an artist and writer with an amateur herbal and social medicine practice, yet always stuck on when these things tip over from something liberatory into something lonely, esoteric and de-politicised. She is an all round janitor of a community and residency space called Massia.

kiln as kin: a day of gathering, firing, cooking

“What flavors place, what place flavors?” Posed by Christina Sharpe in her book Ordinary Notes, this question lingers in the space between land and taste. How does place, how does land, persist even when territory fractures? What stories, histories, and rituals do we carry with us through food? Ingredients, gestures, and tastes become a living archive carried within and through our daily practices of making—kneading, fermenting, grinding, storing, carrying.

Using food as a way to hold and transmit knowledge, during this day of gathering we will come together to activate a newly created tonir-style clay oven and a small stove at Four Siblings. The oven was built during an earlier workshop in May with transdisciplinary artist Tatiana M. Mélo. We will prepare food, cook, and eat together as a way to share knowledge about food systems, forgotten recipes, and lost rituals. We will be joined by Martina Manterola and Carmen Serra, cofounders of colectivo amasijo, an intergenerational feminist collective who work across art, cooking, and land-based pedagogy. They will join us in activating the ovens through their own rituals, practices, and foods. Together with Tatiana we will also be creating small clay structures and sculptures to bake bread inside of.

The residency of colectivo amasijo is part of the Exchanges programme by the Prince Claus Fund, with the support of the Amsterdam City Council.

Ticket: €10
Student and solidarity ticket: €7,50

Buy your tickets via Eventbrite

Location: Four Siblings, President Allendelaan 1, 1064 GW Amsterdam

colectivo amasijo is a feminist collective composed of women from various disciplines and generations, working across art, cooking, and land-based pedagogy. amasijo’s approach centers on collaborative cooking and agriculture as forms of resistance and land regeneration. They are united in their desire to actively reflect on the origin and diversity of our food. Since their formation in 2019 they have been providing a platform for non–dominant voices: the narratives of women close to the land, stories that tell us the real cost of climate change and show us the way towards the regeneration of the land. Through their projects, that can take the form of gatherings, dinners, research, actions, ceremonies, exhibitions, markets, seminars, film, or talks, the collective builds the needed structures to form a community in which taking care of ourselves and taking care of the territory we inhabit is priority. Their practice insists on care, circular knowledge, and embodied time — challenging extractive logics through feminist, decolonial methodologies.

Instagram colectivo amasijo

Tatiana M. Melo is a transdisciplinary artist from Barcelona, living in the countryside of La Garrotxa. She works with clay and ceramics—activating the memory of territory through ritual objects made with stones, ashes, and words gathered from the community. Her practice centers on the transformation of soil into kilns, understood not only as firing tools, but as spaces of encounter, transformation, and ritual. She explores clay as an ancestral material, applying sustainable practices to construction and everyday objects. She has organized workshops and gatherings on collective building, ceramics, and community, collaborating with artists and researchers to rethink the relationship between humans, materials, and the environment.

Instagram Tatiana M. Melo

Four Siblings is a land based art and research project. They come together to create an edible labyrinth in the shape of an artwork in the threshold of the city of Amsterdam. They want to create a sense of belonging to the earth we live on, to the food we eat. They investigate collective ways of generating knowledge and make it as open source as possible.They want to do so in a mutually supportive way—care for our bodies while we care for the land, bring back biodiversity and seed resources, generate new local networks between artists, farmers, permaculturists, and residents, while learning by doing.

Website Four Siblings

kiln as kin: clay oven building workshop

tandoor, tannour, tandir, tonir—an ancient underground clay oven. Carrying different names, the tonir belongs to a family of ovens that are found across Central and South Asia and the MENA regions. The oven has always been a central gathering point. In Armenian cultural tradition it was seen as a symbol of the ‘sun in the ground’—existing as a sacred space in the home for baking bread, cooking, and performing rituals. 

During this workshop we will build a tonir-style clay oven together in the ground at Four Siblings, using clay, soil, and sand from their land. Soil is one of the most abundant materials on earth, yet it remains one of the most overlooked. It is an extraordinary material to build with: it breathes, holds thermal inertia, and connects us directly to the land we inhabit. For thousands of years, our ancestors have worked with soil in many ways: growing food, shaping ceramics, building ovens and kitchens to cook with fire, and constructing homes. In many modern societies, however, soil is often treated as waste. How did we end up living so disconnected from such an abundant material?

We will be guided by ceramist, builder, artisan, teacher, and researcher Tatiana M. Melo. In Tatiana’s practice she transforms soil into kilns, seeing them not only as firing tools but as spaces of encounter, transformation, and ritual. For Tatiana, building with earth is also a gesture of remembrance and care: a way of honoring the knowledge of our ancestors and the land we live on. Gathering around fire becomes a space not only for transforming food, but also for reflecting on the narratives that shape how we live and where we are going

In this day-long workshop, we will learn how to understand soil and use it for different purposes as we learn by doing collectively. We will start with a theoretical explanation about soil, earthen plasters, and wood-fired ovens, followed by the collective building of the tonir-style clay oven. Alongside the larger oven, we will also build a small stove.

These kilns will be activated on June 13th, during kiln as kin: a day of gathering, firing, cooking, where we will prepare food, cook, and eat together as a way to share knowledge about food systems, forgotten recipes, and lost rituals.

We will be working outside, so please dress appropriately for the weather. 

Lunch will be provided. There are only 15 spots available!

The workshop is sold out.  If you want to be added to the waiting list in case someone cancel, please send an email to info@w139.nl.

Ticket: €30
Student and solidarity ticket: €20

Buy your tickets at via Eventbrite.

Location: Four Siblings, President Allendelaan 1, 1064 GW Amsterdam

Tatiana M. Melo is a transdisciplinary artist from Barcelona, living in the countryside of La Garrotxa. She works with clay and ceramics—activating the memory of territory through ritual objects made with stones, ashes, and words gathered from the community. Her practice centers on the transformation of soil into kilns, understood not only as firing tools, but as spaces of encounter, transformation, and ritual. She explores clay as an ancestral material, applying sustainable practices to construction and everyday objects. She has organized workshops and gatherings on collective building, ceramics, and community, collaborating with artists and researchers to rethink the relationship between humans, materials, and the environment.

Four Siblings is a land based art and research project. They come together to create an edible labyrinth in the shape of an artwork in the threshold of the city of Amsterdam. They want to create a sense of belonging to the earth we live on, to the food we eat. They investigate collective ways of generating knowledge and make it as open source as possible. They want to do so in a mutually supportive way—care for our bodies while we care for the land, bring back biodiversity and seed resources, generate new local networks between artists, farmers, permaculturists, and residents, while learning by doing.

Looking back at: Wie We Welzijn

Join us for a festive recap of Wie We Welzijn!

The collective mul-thee-fuhngk-shuh-nl will present three newspapers they initiated over the past months. They will share insights into the making of the publications, and together we will celebrate the conclusion of the project with snacks and drinks.

During the Warmoes Biennale, invited by W139, mul-thee-fuhngk-shuh-nl engaged in conversations about well-being with waiting customers and people passing by. What is the state of well-being in Amsterdam’s city center, and what factors shape it? Stories, perspectives, and ideas were collected and compiled into a series of three free newspapers. These were distributed throughout the neighborhood and can be picked up by visitors at all biennale locations.

The first newspaper, about attachment, was compiled on March 7 at gift shop and parcel point Effeness. The second edition, about desire, followed on March 20 at tattoo shop ORDER. The final edition, about searching, was produced on April 4 at Happy Inn Laundromat.

mul-thee-fuhngk-shuh-nl is a fluid collective that explores its surroundings through collaborative making processes and publishes this multiplicity of voices in public space. The composition of the collective changes with each project, depending on who participates.

Warmoes Biënnale: tattooshop x verlangen

During the Warmoes Biënnale, mul-thee-fuhngk-shuh-nl will talk to waiting customers and passers-by about well-being. Stories, perspectives, and ideas on this topic will be collected during three pop-up editorial offices at the Effeness parcel point, Happy Inn Laundromat, and ORDER tattoo shop. At each location, they will address a different subtopic of well-being: pakketpunt x hechten, tattooshop x verlangen & wasserette x zoektocht. The findings will be published in three publications, which will be available in the participating pavilions of the Warmoes Biennale.

tattooshop x verlangen

The second editorial office of mul-thee-fuhngk-shuh-nl is setting up shop for a day at ORDER tattoo shop: a place where people sit for long periods of time or wait for their turn. This is a good moment to discuss what gives life meaning in a post-capitalist system. We collect definitions of meaning, investigate whether people consider themselves meaningful, and where the desire for meaning comes from. We collect stories, thoughts, wishes, the feeling of meaning in Warmoesstraat, tips and tricks for meaning, classified ads, and historical context about the welfare economy.

Mul-thee-fuhngk-shuh-nl is a collective that creates dynamic installations with a crossover between workshops, public space installations, and happenings through interactions with others. Their projects share a common focus on engaging with the environment and fostering exchanges with a diverse audience, generating new imaginaries around the contexts the projects take place in.

Warmoes Biënnale: pakketpunt x hechten

During the Warmoes Biënnale, mul-thee-fuhngk-shuh-nl will talk to waiting customers and passers-by about well-being. Stories, perspectives, and ideas on this topic will be collected during three pop-up editorial offices at the Effeness parcel point, Happy Inn Laundromat, and ORDER tattoo shop. At each location, they will address a different subtopic of well-being: pakketpunt x hechten, tattooshop x verlangen & wasserette x zoektocht. The findings will be published in three publications, which will be available in the participating pavilions of the Warmoes Biennale.

pakketpunt x hechten

The first editorial office for the three publications of Wie we welzijn is located at parcel point Giftshop Effeness. Here, mul-thee-fuhngk-shuh-nl will discuss materialistic satisfaction in relation to Warmoesstraat as a centuries-old center for trade. While you wait for your parcel, there is just enough time for self-reflection, an existential crisis, or a mental breakdown. What did I order again?

In addition to collecting the contents of packages, we ask questions such as: do you have what you want? Where does this desire for more come from? How do we position ourselves in a world that revolves around accumulating wealth and possessions? How do your possessions possess you? We collect reviews, stories, (un)realistic classified ads for (more) stuff, the best object you can own.

Mul-thee-fuhngk-shuh-nl is a collective that creates dynamic installations with a crossover between workshops, public space installations, and happenings through interactions with others. Their projects share a common focus on engaging with the environment and fostering exchanges with a diverse audience, generating new imaginaries around the contexts the projects take place in.

Warmoes Biënnale: wasserette x zoektocht

During the Warmoes Biënnale, mul-thee-fuhngk-shuh-nl will talk to waiting customers and passers-by about well-being. Stories, perspectives, and ideas on this topic will be collected during three pop-up editorial offices at the Effeness parcel point, Happy Inn Laundromat, and ORDER tattoo shop. At each location, they will address a different subtopic of well-being: pakketpunt x hechten, tattooshop x verlangen & wasserette x zoektocht. The findings will be published in three publications, which will be available in the participating pavilions of the Warmoes Biennale.

wasserette x zoektocht

On April 4, mul-thee-fuhngk-shuh-nl will arrive at Laundromat Happy Inn, where the third editorial office will be located. Here, they will be discussing community. How do people relate to each other? What does it mean to belong to a community? And how do you find one? What is a community, anyway? Do you ever run errands for your neighbor, or do you secretly not know who she is? Can we read the future of community in the Warmoesstraat in the clean laundry? What has your dirty laundry been through? We collect utopias, reviews about neighbors, advertisements from entrepreneurs promoting their contribution to the community, and classified ads for social contacts.

Mul-thee-fuhngk-shuh-nl is a collective that creates dynamic installations with a crossover between workshops, public space installations, and happenings through interactions with others. Their projects share a common focus on engaging with the environment and fostering exchanges with a diverse audience, generating new imaginaries around the contexts the projects take place in.

Warmoes Biënnale: Wie we welzijn

During the Warmoes Biënnale, mul-thee-fuhngk-shuh-nl will talk to waiting customers and passers-by about well-being. Where does this issue stand in Amsterdam’s city center? What factors influence it? Stories, perspectives, and ideas on this topic will be collected during three pop-up editorial offices at the Effeness parcel point, Happy Inn Laundromat, and ORDER tattoo shop. At each location, they will address a different subtopic of well-being: parcel point x attachment, tattoo shop x desire, and laundromat x search. The findings will be published in three publications, which will be available in the participating pavilions of the Warmoes Biennale.

In the editorial office and in the publications, we will explore how we can look at our surroundings differently while waiting. The Warmoesstraat and its surroundings are a playground for imagining new ways of being and other uses for space beyond the functional. The editorial offices and publications are places where we look at things differently, question our surroundings, search for something that is not there, and create our own imaginings.

Mul-thee-fuhngk-shuh-nl is a collective that creates dynamic installations with a crossover between workshops, public space installations, and happenings through interactions with others. Their projects share a common focus on engaging with the environment and fostering exchanges with a diverse audience, generating new imaginaries around the contexts the projects take place in.

About the Warmoes Biënnale

For two months, artists, entrepreneurs, cultural institutions, and residents join forces to reveal the pulse of this neighbourhood. With art ranging from intimate to monumental—often in surprising locations—alongside events and genuine local hospitality, the festival offers a new perspective on this contested, yet deeply loved part of the city.

For more information, visit the website of the Warmoes Biënnale.