Para-siting: Espacio Estamos Bien

We welcome Espacio Estamos Bien as our new Para-siting residents. They will be working on their project We do this not because it’s easy, but because we thought it was going to be easy: Mission, Vision, Fiction, a space for autobiographical archiving, collective work sessions with cooperators, landing ideas, laughing, and reflecting—with a view toward a realistic near-present. 

As part of their residency, Espacio Estamos Bien will be celebrating their birthday on 25 May at W139, remember to save the date!

Espacio Estamos Bien is an art cooperative and nomadic project space based in Amsterdam that facilitates gatherings, publications, exhibitions, workshops, and other situations. EEB began by plotting around the idea of a new space in Amsterdam—not necessarily a physical one—that could provide an affectionate and supportive context. A space for those who do not belong in the institutional circuit, one that is always changing, always moving, but always available. 

Para-siting: Clearance

Is looking back an act of necessity or just nostalgia in disguise? In a time oversaturated with images, references, and remakes, the impulse to return—to retrieve and to reframe—feels inevitable. But who’s hoping to find what? 

So what happens when three outsiders step into an institution’s archive—a space built, rearranged, and stolen from? They ask questions, some quiet, some loud: Who is this? Why do they keep this? They sift, select, document, and romanticize. But really, they wonder, how does an archive, dense with its own relevancies, make room for the new? 

For three weeks at W139, bring your own book presents Clearance, a display and auction where selected ‘valuables’ from the archive will be exhibited—and made available for purchase. Clearance is a temporary shift in ownership, a redistribution of institutional memory and an experiment in circulation. 

Para-siting is a new programme that runs parallel to our exhibition programme. During Para-siting, W139 will allow other organisms to take over, providing space for encounters and the exchange of ideas, allowing for a more flexible and rapid response to current or urgent developments.

Visual identity by Studio Buy My Talent.

The Myth of a Life Sentence, أسطورة المؤبدات

As part of Saja Amro and Wassila Abboud’s on-going research program Remove the Dot, they’ll be screening excerpts from a recent interview with newly released political prisoner Wa’el Jaghoub with a short discussion following the screening. 

Wael Naim Ahmed Al-Jaghoub was born in 1967 in Beita, a village south of Nablus. Al-Jaghoub was first arrested in 1992 and spent six years in prison before being released in 1998. His release period was cut short by a second arrest in 2001 which held a significantly harsher sentence of life imprisonment. While this period in prison was also met with harsher daily conditions, including long periods of solitary confinement, he continued to write and wrote several books capturing what he saw and understood from within the prison walls. During this time he also played a significant role in organizing within the prisons, serving as a leading figure in the Popular Front for the Liberation of Palestine (PFLP). 

In this conversation, Wael recounts his time in prison, and his reflections on the occupation as a fantasy of dust هذا الوحش وهم من غبار. He reflects on the struggles of Palestinian prisoners whose sacrifices would not be in vain.

The event is free but space is limited, so please register via Eventbrite.

Para-siting: Remove the Dot

We are very excited to present Para-siting, a new programme that runs parallel to our exhibition programme. Para-siting is our response to the tremendous urgency we saw during W139 hosts… to create space for experimentation, try-outs, and work in progress. From 24 February to 30 March 2025, our first Para-siting project is Remove the Dot.

The work Remove the Dot is an ongoing research program by Saja Amro and Wassila Abboud that takes guidance from historical and present voices at the forefront of the liberation struggle. The program is in response to European institutional censorship which tends to obfuscate the material reality in Palestine. Through both a personal and material lens, Saja and Wassila explore how knowledge production in contexts of oppression and revolution help us to linger in spaces of imagination, specifically for those from the Palestinian and Lebanese resistance. 

The work so far has evolved through various forms including diagrams, public sessions, reading groups, and study days. The recent on-going program  explores the concept of martyrdom and the commitment to sacrifice for a land; requiring a rationality incomprehensible within western frameworks. Saja and Wassila will use their time, as part of the Para-siting program, to reflect on the previous iteration of the work, evolve it, and focus on the key question of how they can expand the research to create an open source tool, inviting a wider range of people to collaborate. 

This series derives its name from Zakaria Zubeidi, a political prisoner who, along with five others, attempted to liberate himself from the high-security Israeli prison, Gilboa. Zakaria was arrested before he could complete his thesis. In a call with his lawyer, he asked her to remove the dot from the final paragraph he had written, symbolizing his wish for the story and the cultivation of knowledge to continue until liberation. His literal words translate to “Remove the Dot.”


Visual identity by Studio Buy My Talent.

FLUSH #5: Gates of Secretion

The Dutch call it “het privaat”, the English “privy”. The toilet in particular (the bathroom has a slightly broader meaning) is a space where you are mostly on your own, in full privacy. But not with a smartphone. The internet invades that sacred space at any given moment. Even if you think you’re alone, you are not.

Klaas Koetje transforms the toilet group of W139 into the ultimate private sphere. FLUSH #5 encourages the visitor—whether they are there for a sanitary stop, to withdraw from the crowd for a moment or for any other reason—to reconnect with the private self and reflect on the intrusion of technology in aspects of life as banal as taking a piss.

Klaas Koetje is a self-taught multimedia artist based in Groningen and a certified legend. We are honored that he agreed to be a part of FLUSH.

FLUSH: a sudden rush of intense emotion is a flourishing collaboration between Espacio Estamos Bien and W139, located in the toilets of W139. FLUSH operates as a flexible form of organizing and creating, enabling various types of collaboration. FLUSH aims to foster inter-local relationships, viewing Amsterdam as a hub for facilitating diverse interactions and building connections that bridge distances. Joyful, friendly and decentralized connections extend beyond the Amsterdam art scene.

Text by Mauro Benavidez
Production by Julia Nowicka and Clara Rojas
Design by Josefina Contin

FLUSH #4: Bread Buffet

Come to Bread Buffet at FLUSH #4, eat some cucumber sarnies, and read with us as we think through and around the site of work, precarity and enjoyment.

Within affective labour economies and the history of service and hospitality, we can see a broader pattern of systemic inequality shaped by colonialism, capitalism, and neoliberal governance. These frameworks often perpetuate exploitation whilst cloaked under the guise of benevolence, setting up defined roles of “host” and “guest”.

Bread Buffet is an offering from artists Sophie Soobramanien and Shreya de Souza. It is an ongoing methodology which takes various models according to a theme. Through workshops, zines, reading groups and experimental performances, they collage and interweave theory, art, fiction, contemporary events and visual material. Trying to find ways to contextualize and present swathes of research and information that bypass the potential barriers of academia. We are motivated to co-create these shifting shapes with a public/audience, in dispersing and digesting various knowledges, connecting thought and form in the process. Included in the buffets is a source list of all the extracts, citation being a vital part of the process. 

Please RSVP to breadbuffetservice@gmail.com if you would like to come due to limited space in the toilet. 

Cucumber sandwiches will be vegan, let us know in your RSVP if you are gluten free.

FLUSH #4: La Toilette

Through the electromagnetic waves of the phone, Taylor tells me that they had heard (or read?) Karen Rose say: “The body is your spiritual antenna.” It’s been a while since I’ve thought about antennas. I google them and find: “How to maintain and protect your antenna from the ravages of time and weather?” 

The motif of “la toilette” is a recurring theme in art history, representing moments of personal care such as dressing, combing one’s hair, applying makeup, or washing. Its universality spans different eras and cultures, reflecting notions of privacy and community, everyday challenges, aesthetic concerns, and transcendent ideals. FlUSH 4 invites us, in the stench of the most ineluctable aspect of our human condition, to some intimate moments of pictorial corporeality with Cosima zu Knyphausen.

FLUSH: a sudden rush of intense emotion is a flourishing collaboration between Espacio Estamos Bien and W139, located in the toilets of W139. FLUSH operates as a flexible form of organizing and creating, enabling various types of collaboration. FLUSH aims to foster inter-local relationships, viewing Amsterdam as a hub for facilitating diverse interactions and building connections that bridge distances. Joyful, friendly and decentralized connections extend beyond the Amsterdam art scene.

Text by Taylor Le Melle
Production by Julia Nowicka and Clara Rojas
Text design by Josefina Contin
Poster by Cosima zu Knyphausen
With publications of Lesbianas Concentradas

FLUSH #3: Regresar al Mundo

It is almost one year since the ongoing genocide in Palestine; it has been 75 years since it all started. In spite of it all, we want to gather; in spite of it all, we want to be together; in spite of it all, we invite you to be here with us.

For this occasion, FLUSH will be taken over by the Colombian artist AUSENCIA, who will present his project Regresar al mundo. In this project, he touches upon the question of displacement through the story of a group of birds forced to move. AUSENCIA will show both text and textile works. During the days of the show, we will sell prints of AUSENCIA made in collaboration with Not Shit Print, raising money for different initiatives that support people in Palestine.

Alejandro Moreno Marin (@ausencia.nada) has published books, made clothes, designed objects and painted streets. What interests him most is discovering the narrative possibilities of the image and the exploration of media and materials. Currently, he creates works from textile materials and uses techniques such as embroidery, weaving and patchwork. His work is nourished by his sensitive experience, by seeking the extraordinary in everyday life, by religious iconography, material culture and popular graphic production.

FLUSH: a sudden rush of intense emotion is a flourishing collaboration between Espacio Estamos Bien and W139, located in the toilets of W139. FLUSH operates as a flexible form of organizing and creating, enabling various types of collaboration. FLUSH aims to foster inter-local relationships, viewing Amsterdam as a hub for facilitating diverse interactions and building connections that bridge distances. Joyful, friendly and decentralized connections extend beyond the Amsterdam art scene.

“¡Aves rebeldes! Hermanas, compañeras,
Cantamos por la huelga 
Que sea ahora mismo o no será nunca más
Todas juntas, aves de ciudad
palomas, torcazas, pericos
A desplegar alas y cantos”

“Rebel birds! Sisters, comrades,
We sing for the strike 
Let it be right now or it will never be again
All together, city birds
Pigeons, wood pigeons, parakeets
To spread wings and songs”

FLUSH #2: Empezar por algo

During the first live activation of FLUSH, Espacio Estamos Bien invited Kiss my knoblauch to use the toilet as the stage for the first toilet-concert at W139. Expect rapid words over DIY beats and synth tunes with trumpet doodles; an alarm to shake us out of our paradigm and a lullaby to soothe us into a new one. Keep your eyes wet and your fists big. Slugs, cockroaches, kliko’s, fritessaus and toxic armpits brought to you by Fishra and B.Ruiz in a stew of gothic utopias and stinky critique.

FLUSH will also launch their amazing merch, made in collaboration with Miguel Cruz and Artes Oscuras, and available in the W139 shop. They will also sell their very special vermouth, made together with Merceria Clara.

FLUSH is a new relationship flourishing between EEB and W139. FLUSH is located in the bathroom space of W139. This space and its programme generates inter-local relationships, understanding Amsterdam as a base and a place where different interactions can be facilitated, to create links that allow us to shorten distances. Connections that are joyful and decentralized, looking beyond the Amsterdam art scene.

19:00 — Toilet doors open
20:30 — Start concert by Kiss my knoblauch
22:00 — The last flush

FLUSH #1: Pega!

FLUSH: a sudden rush of intense emotion is a flourishing relationship between Espacio Estamos Bien and W139, growing from the toilets at W139. We envision this relationship as the mutualistic workings of microbiota, a symbiotic process allowing for different interactions to develop. The microbiome organisms (EEB and its co-operators) form communities within the host organism (W139), which provides space for the microbiota to inhabit and contribute in a big way despite its small format. 

Located in the toilets of W139, FLUSH works as a flexible form of organizing and making, allowing for other types of collaboration. FLUSH aims to generate inter-local relationships, understanding Amsterdam as a base where different interactions can be facilitated, creating links that allow us to shorten distances. Connections that are joyful, friendly and decentralized, looking beyond the Amsterdam art scene.

Pega!, the inaugural exhibition of FLUSH, opens May 30th at 19:00. It’s the largest show ever hosted in a toilet, serving as a platform for experimental publication, which Pega! achieves using stickers. Created in collaboration with the anarchist and independent print shop Not Shit Print in Amsterdam, Pega! invites artists, activists, designers, and creatives worldwide to contribute their designs for the stickers that will be all over the bathroom. 

We look forward to welcoming you in the toilets. Let’s flush together!

Visual identity by Miguel Cruz. Photography by Justine Ellul.